Bring It On File
In conclusion, Bring It On remains a relevant and influential film because it refuses to sugarcoat the complexities of race and privilege. It uses the bright, energetic world of cheerleading to deliver a sophisticated message about integrity and the importance of amplifying marginalized voices. Decades later, its critique of who gets to "win" in America continues to resonate, proving that the film is as intellectually substantive as it is entertaining.
The central conflict begins when Torrance Shipman, the newly elected captain of the Toros, discovers that her predecessor systematically stole choreography from the East Compton Clovers for years. This revelation strips the Toros of their perceived merit and exposes the hollow nature of their winning streak. The film uses this plot point to explore cultural appropriation—the act of taking elements from a marginalized culture and claiming them as one’s own without credit or compensation. While the Toros enjoyed fame and national championships based on stolen routines, the Clovers remained invisible and unsupported, lacking even the funds to attend the national competition. Bring It On
Isis, the captain of the Clovers, provides a powerful foil to Torrance. Unlike the typical antagonist in teen films, Isis is a principled leader fighting for the recognition her team rightfully deserves. She refuses handouts and insists on winning on her own terms, highlighting the resilience required of black communities when operating within systems that favor their white counterparts. Her character forces Torrance—and the viewer—to realize that good intentions are not enough to rectify institutional theft. Torrance must learn that true leadership involves accountability and the courage to lose while competing fairly. In conclusion, Bring It On remains a relevant
The film’s conclusion is notably subversive for its genre. Instead of the protagonists winning the final trophy, the Clovers take first place, while the Toros finish second. This ending validates the Clovers' hard work and talent while allowing the Toros a moment of genuine growth. They earn their second-place finish through original effort, proving they can succeed without exploitation. By refusing to follow the standard "underdog" trope where the white protagonist eventually triumphs, Bring It On cements its status as a progressive piece of cinema that prioritizes justice over a predictable happy ending. The central conflict begins when Torrance Shipman, the
Very nice to read your view on this release. Thanks for sharing your thoughts.
Yes indeed nice review and thoughts ;), 1 tiny suggestion i would have preferred a closer to the released Margie Cox Standing at the Altar version aswell, lets hope the new PR will have all those missing alternate/uncut/full versions, Make Love not War!
A hidden album between Purple Rain and Sign O’ The Times would be Roadhouse Garden. I’d be interested in your compilation for this collection.
Peace,
Maxie
Your opening statement discredits the rest of your article. D&P is without contest a much stronger opus than Lovesexy, judging by the international acclaim the album received but also by how stratospheric the tour was in terms of sales.
The band was also the best he ever had and you can hear the much elevated musicianship qualities throughout the album as well as the live shows.
It’s your site and as such you can write whatever you want but don’t expect us to rate your content when it’s filled with so much emotional bias which unfairly trashes an era that is arguably one of Prince’s best and one that saved his career.
Hi AJ, a couple of things. We did not ask you to rate our content. Also, this article (and his sincere opinion) has been written by guest author Nickfunk. You’re free to disagree of course. Furthermore, most of the content on Housequake.com has been contributed by Prince fans. So if you have an interesting piece written yourself, feel free to send us an email: . Thanks!
I like the hidden album idea but 78 minutes is quite long and would clock it more classic within the 40-44 range of the 1 vinyl medium. And save some songs for single b-sides. Work that fat would fit the b-side mould.