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More Cards. More formats. More Magic.

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Dudley Perkins, performing under his alias, provides a glimpse into his development as an emcee.

: The beats are characterized by a "raw and funky vibe," blending boom-bap foundations with jazz, soul, and psychedelic samples.

: A significant point of criticism is the album’s flow; of the 17 tracks, nearly half are intros, interludes, or skits. This can make the 35-minute runtime feel fragmented.

: Reviewers from sites like Rate Your Music and Legends Will Never Die generally view it as a "must-listen" for historians of the West Coast underground but a less essential "front-to-back" experience than Vol. 1 . Release Date January 13, 2023 Runtime 35 Minutes (17 Tracks) Highlight Tracks "Ill Minded," "12th Floor," "Rollem Right" Label SomeOthaShip Connect / Fat Beats In The Beginning (Vol. 3) | Declaime & Madlib

: Listeners will recognize his signature melodic, laid-back delivery. However, critics have noted that his performance here can feel "monotonous" or "soporific" compared to his later, more refined work.

: Tracks like "12th Floor" showcase Madlib’s early ability to craft atmospheric soundscapes, utilizing rapid harps and ocean wave samples to create a calm yet eerie mood. "Laff Now Cry Later" features a vibrant bassline and dry midtempo drums that hint at the sophisticated "Beat Konducta" style he would later master. Performance: Declaime’s Origin Story

: The project features fellow Oxnard pioneers, including MED , Roc C , and God’s Gift . The chemistry between these artists is clear, representing the birth of the Crate Diggas Palace crew. Critical Reception and Composition

is the concluding chapter of an archival trilogy that unearths lost recordings from 1993 to 1996. While it serves as a fascinating time capsule for hardcore fans, its reliance on raw, unpolished demos and a high ratio of interludes makes it the most uneven entry in the series. Production: Madlib’s Early Genius