: It explores the voodoo roots of the genre, citing early works like 1932’s White Zombie .
: The film fast-forwards through the comedic "splatter" era of the 1980s to the global phenomenon of the 2000s, fueled by 28 Days Later , Shaun of the Dead , and The Walking Dead . Why They Fascinate Us Doc of the Dead
: Simon Pegg notes that zombies "are us, having succumbed to our own fear, which is our own death". : It explores the voodoo roots of the
: The genre has been used to comment on everything from racism and consumerism to the fear of global pandemics. : The genre has been used to comment
From the voodoo-inspired "Ghouls" of the 1930s to the sprinting, viral-infected hordes of the 21st century, the zombie has evolved from a niche horror trope into a dominant cultural metaphor. The 2014 documentary , directed by Alexandre O. Philippe (known for The People vs. George Lucas ), serves as a "definitive" autopsy of this obsession. The Evolution of a Monster