: The PianoTV Performer Spotlight provides a detailed breakdown of Gould’s "Bach Wizard" status and his unique technical training.
: Gould was known for adding his own ornamentations and "left-hand fillips," sometimes even incorporating first violin parts into his piano line to fill out the texture.
Below are helpful resources and insights regarding this specific work and Gould's performance: Analysis and Performance Context Glenn Gould - Bach, Concerto No. 7 in G minor O...
: His technique involved "finger tapping"—training the fingers to act as independent levers—which allowed him to play with extreme speed while maintaining perfect separation between notes.
Glenn Gould's recording of , is widely regarded as a definitive interpretation, known for his signature "crystalline articulation" and "wonderful rhythmic pulse". : The PianoTV Performer Spotlight provides a detailed
: This concerto is Bach's own keyboard adaptation of his earlier Violin Concerto in A minor, BWV 1041 . Gould's recording makes a strong case for playing such transcriptions on the modern piano, as he believed the instrument's capacity for fluid phrasing better suited Bach's intricate polyphony than the harpsichord.
: The Piano Files with Mark Ainley offers an expert's take on the 1967 Golschmann recording, specifically defending Gould's choice of piano over harpsichord for this work. Glenn Gould's recording of , is widely regarded
: For a look at why Gould's Bach is still controversial yet beloved, Interlude’s Eccentric Brilliance analyzes his narrative approach and unconventional phrasing.