Platon is commissioned to create a display for a jewelry store. He uses a young, dying woman named Anna as his model to craft a mannequin so perfect it transcends human beauty. Shortly after, Anna dies.

The film is widely praised for its "Russian Decadence" aesthetic and its eerie, dreamlike cinematography.

Six years later, Platon is a shadow of his former self—impoverished and struggling with morphine addiction. He is hired by a wealthy merchant, Mr. Grilliot, to decorate a mansion.

The film follows , a brilliant and arrogant artist obsessed with rivaling God by creating mannequins that possess "eternal life".

Gospodin Oformitel(1987) [ SECURE × 2025 ]

Platon is commissioned to create a display for a jewelry store. He uses a young, dying woman named Anna as his model to craft a mannequin so perfect it transcends human beauty. Shortly after, Anna dies.

The film is widely praised for its "Russian Decadence" aesthetic and its eerie, dreamlike cinematography.

Six years later, Platon is a shadow of his former self—impoverished and struggling with morphine addiction. He is hired by a wealthy merchant, Mr. Grilliot, to decorate a mansion.

The film follows , a brilliant and arrogant artist obsessed with rivaling God by creating mannequins that possess "eternal life".