Here Comes Hell -

Despite its "knowingly flimsy" premise, the film succeeds because it never feels like a mean-spirited parody. Instead, it’s an earnest, charming tribute to the directors McHenry loves—names like Hitchcock, Carpenter, and Sam Raimi.

Here Comes Hell is a "breath of fresh air" for horror fans. It’s a beautifully pure tribute to the genre that manages to be both genuinely unsettling and laugh-out-loud funny. If you’re a fan of indie horror that pushes boundaries while honoring the past, track this one down. Here Comes Hell

The dialogue is snappy, the character archetypes are played to perfection (shoutout to the "catty" Christine and the resilient Elizabeth), and the pacing is relentless. It’s the kind of film that begs to be watched with a rowdy late-night crowd. Final Verdict Despite its "knowingly flimsy" premise, the film succeeds

Blood, Black-and-White, and British Wit: Why You Need to See Here Comes Hell (2019) It’s a beautifully pure tribute to the genre

Set in the 1930s, the film follows a group of elite socialites who gather at a crumbling manor for a dinner party. There’s the wealthy host Victor, the tennis-playing Teddy, the sharp-tongued Christine, and our relatable "outsider" entry point, Elizabeth. The evening starts with cocktails and caviar but quickly takes a sharp left turn when a seance goes horribly wrong, unleashing a demonic force with a grudge. A Love Letter to the Classics