This episode cements the unique bond between the Captain and Rosa, grounded in their mutual love for efficiency and hatred of emotional vulnerability.
Brooklyn Nine-Nine S02E20: "AC/DC" — A Review In the twentieth episode of Brooklyn Nine-Nine's second season, titled , the precinct deals with the fallout of Jake Peralta’s inability to sit still. If you’ve ever wondered what happens when a workaholic detective meets a literal wall (or a car windshield), this episode delivers the hilarious, painful answer. Jake’s "Atlantic City" Disaster [S2E20] AC/DC
For two characters who treat personal information like state secrets, the prospect of "intimate conversation" is terrifying. Their shared discomfort provides a brilliant parallel to how uncomfortable some people get when discussing private or "female" issues—specifically when Rosa suspects she might be pregnant. Why This Episode Works This episode cements the unique bond between the
Jake’s refusal to rest is perfectly in character, showcasing his drive often masks a deep-seated need for validation through work. Jake’s "Atlantic City" Disaster For two characters who
Even in smaller subplots, the "office slugs" shine, with Hitchcock delivering some of the night's most unexpected one-liners.
The episode kicks off with Jake Peralta ( Andy Samberg ) injuring himself during a high-speed foot chase. Despite a laundry list of injuries, Jake refuses to take time off. His stubbornness leads to a classic Peralta move: lying to Terry Jeffords ( Terry Crews ) about a "vacation" to Atlantic City, which is actually a cover for a secret investigation into a bike thief known as "The Urban Matador."